Guides to the listening of classical music live<\/p>\n
The traditional serial appointments of Guides to the listening of classical music masterpieces live comes back at the Meeting with the CD collection Spirto Gentil, in Neri Room. The event is by Pier Paolo Bellini, in collaboration with Performing Arts. The start is on august 19 at 7 p. m. with the Preludes by Sergei Rachmaninov.
\nIt is essential to adopt a \u201cpersonal\u201d slant to listen to and understand Rachmaninov\u2019s music, Bellini underlines, even when the music is \u201cabsolute\u201d, without a text, i.e. a prelude, as the composer himself explains: \u201c If we want to understand the psychology of a prelude, it is vital to know that its function is not to express a climate but instead to induce it\u201d. We are in presence of pieces meant to \u201cintroduce\u201d us, they want us to make an experience\u201d.
\nSometimes tender and melancholic, sometimes more animated and dramatic, the striking melodies by Rachmaninov, with their essential quietness, tell of the human depth which has given them birth. The christian matrix, which generate Rachmaninov\u2019s conscience, consists of tangible things, of tangible relationships, of a community.
\n\u201cWhat a certainty and richness, then, generates the individual creativity!\u201d don Luigi Giussani wrote about these Preludes. \u201cWhen it identifies with the life of the community, it reaches its greatest maturity; maturity becomes total and increasingly full the more it identifies with the whole community, engaging fully in its own affection and creativity, up to carry the whole community\u201d.
\nOn Wednesday, 21 of august, at 7 p. m. by Luca Belloni, the listening of the Unfinished Simphony by Franz Schubert will follow. \u201cThis is the most famous Schubert\u2019s piece, Giussani wrote, but it is also the greatest: as a piece, it is unfinished because it hasn\u2019t been achieved materially (because of his death). However, the incompleteness of life is also the real theme of the symphony\u201d.
\nThird and final appointment again at 7 p. m., august 23, with Concertos for piano and orchestra by W. A. Mozart. The pianist Chris Vath from New York will guide the listening.
\nC.C.<\/p>\n","protected":false},"excerpt":{"rendered":"
Guides to the listening of classical music live<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"_acf_changed":false,"rs_blank_template":"","rs_page_bg_color":"","slide_template_v7":"","footnotes":""},"mec_label":[9692],"class_list":["post-144691","comunicati-stampa","type-comunicati-stampa","status-publish","hentry","no-post-thumbnail"],"acf":[],"yoast_head":"\n