{"id":283514,"date":"2005-08-21T00:00:00","date_gmt":"2005-08-20T23:00:00","guid":{"rendered":"https:\/\/www.meetingrimini.org\/eventi-totale\/raffaello-e-la-divina-armonia-una-finestra-aperta-sul-rinascimento-2\/"},"modified":"2025-07-28T14:58:33","modified_gmt":"2025-07-28T12:58:33","slug":"raffaello-e-la-divina-armonia-una-finestra-aperta-sul-rinascimento-2","status":"publish","type":"mec-events","link":"https:\/\/www.meetingrimini.org\/en\/eventi-totale\/raphael-and-divine-harmony-an-open-window-on-the-renaissance\/","title":{"rendered":"Raphael and Divine Harmony. An Open Window on the Renaissance"},"content":{"rendered":"<p data-start=\"47\" data-end=\"433\"><strong data-start=\"47\" data-end=\"109\">Raphael is one of the greatest figures of the Renaissance.<\/strong><br data-start=\"109\" data-end=\"112\" \/>The aim of this exhibition is to highlight how his art is the result of a particular conception of beauty\u2014one marked by classical balance and a celebration of harmony\u2014and how, because of these qualities, he is the one painter who can truly be called the interpreter of the so-called <em data-start=\"395\" data-end=\"413\">classical moment<\/em> of the Renaissance.<\/p>\n<p data-start=\"435\" data-end=\"761\">Born in Urbino in 1483, Raphael began working alongside his father, the painter Giovanni Santi.<br data-start=\"530\" data-end=\"533\" \/>Around 1500, the young artist entered the workshop of one of the most renowned masters of the time: Perugino. It was with him that Raphael refined his mastery of drawing\u2014one of the foundational elements of his poetics and style.<\/p>\n<p data-start=\"763\" data-end=\"1138\">Even more significant in his eclectic formation was what he absorbed in Florence, where he came into direct contact with the works of Leonardo and Michelangelo.<br data-start=\"923\" data-end=\"926\" \/>During his Florentine period, Raphael showed a remarkable ability to synthesize\u2014through his own distinct lens\u2014the ideas suggested both by the leading figures of the Renaissance renewal and by classical tradition.<\/p>\n<p data-start=\"1140\" data-end=\"1503\">His move to Rome in 1508 marked a radical transformation.<br data-start=\"1197\" data-end=\"1200\" \/>There, under papal patronage\u2014especially the enlightened and cultured Pope Julius II della Rovere\u2014and immersed in the atmosphere of Rome, its history and ancient art (taken as a model for a new ideal of beauty), Raphael became the interpreter of a vision of beauty that was at once <em data-start=\"1481\" data-end=\"1490\">natural<\/em> and <em data-start=\"1495\" data-end=\"1502\">ideal<\/em>.<\/p>\n<p data-start=\"1505\" data-end=\"1876\">Through a deep respect for harmony, understood as both an aesthetic and ethical value, Raphael achieved a universal synthesis of classical antiquity and Christian tradition.<br data-start=\"1678\" data-end=\"1681\" \/>He celebrated this synthesis in grand, solemn compositions, where the human figure reigns over space in a position of absolute centrality\u2014yet without being confined to a purely earthly dimension.<\/p>\n<p data-start=\"1878\" data-end=\"2751\">Exalted by a canon of beauty rooted in classical heritage\u2014visible in the purity of the features, the nobility of gestures, and a certain reflective thoughtfulness in expressions\u2014Raphael\u2019s human figures also shine through the <em data-start=\"2103\" data-end=\"2117\">naturalistic<\/em> realism of their individual traits.<br data-start=\"2153\" data-end=\"2156\" \/>Thus, his images of the Madonna and Child\u2014eternal models for generations of artists\u2014are admired both for their religious depth and their simplicity; his portraits of notable figures, while elevated to the status of universal types, never lose their intense individuality; his historical scenes, emblematic of ethically charged events, feature characters from both the past and his own present.<br data-start=\"2549\" data-end=\"2552\" \/>The ancient merges with the modern, the ideal with the natural, in a majestic vision where harmony dictates the laws of a splendid compositional order\u2014one that reflects the greater order of creation.<\/p>\n<p data-start=\"2753\" data-end=\"2779\"><strong data-start=\"2753\" data-end=\"2779\">Marco Bona Castellotti<\/strong><\/p>\n<p data-start=\"2781\" data-end=\"2865\" data-is-last-node=\"\" data-is-only-node=\"\"><a href=\"https:\/\/www.meetingrimini.org\/mostra-itinerante\/raffaello-e-la-divina-armonia-una-finestra-aperta-sul-rinascimento\/\" target=\"_blank\" rel=\"noopener\"><strong data-start=\"2781\" data-end=\"2865\" data-is-last-node=\"\">THIS EXHIBITION IS AVAILABLE IN A TRAVELING FORMAT. CLICK HERE FOR FULL DETAILS.<\/strong><\/a><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Raphael is one of the greatest figures of the Renaissance.The aim of this exhibition is to highlight how his art is the result of a particular conception of beauty\u2014one marked &#8230; <\/p>\n<div><a href=\"https:\/\/www.meetingrimini.org\/en\/eventi-totale\/raphael-and-divine-harmony-an-open-window-on-the-renaissance\/\" class=\"more-link\">Read More<\/a><\/div>\n","protected":false},"author":2,"featured_media":128750,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","tags":[],"ev_tematica":[],"mec_category":[9611],"mec_label":[9684],"mec_location":[],"mec_speaker":[11860],"mec_age_target":[],"af_event_tag":[],"class_list":["post-283514","mec-events","type-mec-events","status-publish","has-post-thumbnail","hentry","mec_category-meeting-exhibitions","mec_speaker-bona-castellotti-marco-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Evento - Intervento Raffaello e la divina armonia. 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