{"id":140730,"date":"2012-08-23T00:00:00","date_gmt":"2012-08-22T23:00:00","guid":{"rendered":"https:\/\/www.meetingrimini.org\/eventi-totale\/paolo-jannacci-string-quartet\/"},"modified":"2025-01-29T11:02:44","modified_gmt":"2025-01-29T10:02:44","slug":"paolo-jannacci-string-quartet","status":"publish","type":"mec-events","link":"https:\/\/www.meetingrimini.org\/en\/eventi-totale\/paolo-jannacci-string-quartet\/","title":{"rendered":"PAOLO JANNACCI STRING QUARTET"},"content":{"rendered":"

Jazz for everybody, the challenge of Paolo Jannacci who returns to the Meeting for an evening dedicated to his compositions and piano. With Paolo Jannacci<\/strong> (piano), Stefano Bagnoli<\/strong> (drums), Marco Ricci <\/strong>(bass), Luca Meneghello<\/strong> (guitar).<\/p>\n

 <\/p>\n

Paolo Jannacci returns to the Meeting, having previously accompanied his father Enzo in 2009. Together with drummer Stefano Bagnoli, bassist Marco Ricci, and guitarist Luca Meneghello, he will present an evening of jazz.
\n\u201cMy challenge is a jazz for everyone,\u201d Jannacci loves to repeat. He was born in Milan in 1972, has been a professional musician since 1987, and is a composer of soundtracks and teacher of ensemble music at Milan\u2019s Centro Professione Musica.
\nHe has an extensive series of collaborations to his name, which have placed him alongside artists, singers, and musicians like Dario Fo, Giorgio Gaber, Paolo Rossi, Chico Buarque, Massimo Ranieri, Roberto Vecchioni, Ornella Vanoni, Mauro Pagani, Cochi & Renato – and, of course, his father Enzo, for whom he edited the arrangements of numerous albums, as well as accompanied him at the piano on tour.
\nJannacci has given concerts in Italy and abroad, where, he affirmed, \u201cI feel better, because they don\u2019t check their watches – they stay there, relaxed, and listen to you.\u201d
\nThe protagonist of his compositions, which are almost all originals, is the piano, which allows both his love for lyricism and the romantic legacy, and his predilection for vibrant Latin atmospheres, to shine through. His piano playing, indebted to lessons from masters like Oscar Peterson, Bill Evans, and Herbie Hancock, but also to classical composers like Debussy and Chopin, is delicate, reflective, and of an exquisite timbral sensibility.
\nJannacci\u2019s works include \u201cNotes\u201d (1999), \u201cTape 1\u201d (2004), \u201cMy Tangos\u201d (2005), and \u201cTrio\u201d (2008), recorded together with bassist Marco Ricci and drummer Stefano Bagnoli, partners with whom the Milanese pianist has reached a human and artistic harmony lasting more than a decade.
\nThere are four pieces for solo piano, including one of Chopin\u2019s Mazurkas: \u201cI wanted to put it in the program because, in my opinion, everything derives from there, from the great classical and romantic composers. We haven\u2019t invented much that is new. Sure, it\u2019s a performance by the book. Who did I have in mind? Well, Arturo Benedetti Michelangeli was the greatest pianist of all time: it\u2019s a shame that I couldn\u2019t hear him live, but when I put on one of his CDs, I fall to the ground with emotion\u2026\u201d
\n\u201cEach one of my compositions,\u201d says Jannacci, \u201cis born from the depths and wants to dialogue with the audience, to make itself heard and understood. Often, thanks mostly to friendship, we succeed. Playing in a quartet requires strong values that life doesn\u2019t propose anymore: it bans selfishness, it makes you choose among your ideas, it works only if you have studied much and you know how to respect others. I start from these foundations in the lessons that I teach on ensemble music, too.\u201d <\/p>\n

Quartet
\nPaolo Jannacci<\/strong>: Piano
\nStefano Bagnoli<\/strong>: Drums
\nMarco Ricci<\/strong>: Bass
\nLuca Meneghello<\/strong>: Guitar <\/p>\n

Reviews <\/strong>
\n\u201cJannacci is elegant and effective at the keyboard, nimble but not necessarily quick, in perfect dialogue with his partners. An effective entrance into the world of jazz.\u201d
\n(Antonio Orlando, Musica e dischi) <\/p>\n

\u201cIt\u2019s not the usual music, it\u2019s really beautiful music.\u201d
\n(Gianni Mura) <\/p>\n

\u201cSome people will certainly think, \u2018With that name, he has the doors wide open for him.\u2019 If your last name is Jannacci and your father\u2019s name is Enzo, your chances of getting into a recording studio are decidedly better than average. If, however, you abandon yourself to listening to his music (his latest work is \u2018Trio,\u2019 Universal Music), you will see the conjectures and perplexities of all kinds driven away, and become aware of the talent of the artist in question. Because Paolo Jannacci is a first-class pianist, an enchantment of measure and beauty.\u201d
\n(Paolo Battifora, Il Secolo XIX) <\/p>\n

\u201cJannacci Junior proposes profound music with delicacy, in a clean approach to the keyboard made of limpid emotions and a touch free from exc<\/p>\n","protected":false},"excerpt":{"rendered":"

Jazz for everybody, the challenge of Paolo Jannacci who returns to the Meeting for an evening dedicated to his compositions and piano. 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